Performance Studies

#2 Anti-Oedipus: Full Empty

04.02.2003 Antonin Artaud

What is a body without organs? D&G say that the BwO is full—full in the sense that it is a blank surface without the interconnected functions or parts that organs would be. It is full precisely because it lacks any depth or differentiation. D&G claim that the body suffers from being organized in a triangulated [...]

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Artaud #6: something about microphony that forces you to listen inside the sounds

04.02.2003 Antonin Artaud
9 of 9 in Artaud Notes

Artaud was constantly trying to separate the voice from the body… finding a way for the voice to speak outside of the body… What is so radical about crooning: it’s romantic and relies upon microphone… you can here more of the breath… a microphone allows you to hear the insides of people’s mouths… a new form [...]

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#1 Making a Body without Organs

04.01.2003 Antonin Artaud

The body without organs first appeared in Deleuze’s (1990) The Logic of Sense, then in Deleuze and Guattari’s (1984) Anti-Oedipus and then in Deleuze and Guattari’s (1988) A Thousand Plateaus. The term was first coined by Antonin Artaud in the 1940s, and Deleuze and Guattari (1988: 150) suggest that Artaud made himself a body without organs when [...]

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To Have Done with the Judgment of God: Artaud, Deleuze, and the Body without Organs

03.20.2003 Antonin Artaud

For you can tie me up if you wish, but there is nothing more useless than an organ. When you will have him a body without organs, then you will have delivered him from all his automatic reactions and restored him to his true freedom To Have Done with the Judgment of God, Antonin Artaud [...]

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Artaud #5: cruelty-as-necessity is a metaphysical kind of cruelty

03.12.2003 Antonin Artaud
8 of 9 in Artaud Notes

What does Artaud mean when he talks about theater as plague that can only be resolved by death… Becoming, fatality, chaos… These are Artaud’s main things in the theater of cruelty… The cruelty-as-necessity is a metaphysical kind of cruelty… it’s not cruelty on the body… it’s the way object exist in the world… this kind [...]

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#8 Anti-Oedipus: BwO

03.08.2003 Antonin Artaud

Desire and subjectivity? Where did you go? Is the BwO a real body or some sort of metaphor for capitalism? Well, D&G don’t really beleive in metaphor. No representation. No modeling or mini. For D&G, we are always “becoming.” So, in essense, we become capital and capital becomes us. It’s about the processes, the production [...]

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Artaud #4: the valorization of psychotic symptoms-as-aesthetic

02.26.2003 Antonin Artaud
7 of 9 in Artaud Notes

Restructuring the body according to desire… So much of the inner conflict of Surrealism had to do with the specifics is how the libidinal body is labels… (Artaud, Bastille, and Dali were all asked to leave)… In each of these instances, the representations of the body surpassed Breton (and other’s) what the libidinal body would [...]

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Artaud #3: The void, maybe, is the space between the judge and the judge

02.05.2003 Antonin Artaud
6 of 9 in Artaud Notes

How do you base a poetics on the valorization of a total extinction? Artaud doesn’t think ‘time’ exactly. He thinks of extinction in terms of force and non-force. The void, maybe, is the space between the judge and the judged. (Artaud seems to hold both places at the same time). Is it a question of poetry and poetics: [...]

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Artaud #2: The reversabiliy of time as the moment of the invention of time

01.29.2003 Antonin Artaud
5 of 9 in Artaud Notes

More B. quotes about synethesia… Three models of time linear (beginning-and-end theology), circular (seasonal), spiral (more eastern kind of enlightenment crap). Nietzsche: Twilight of the Idols… the indispensablility of the frenzy (above all the frenzy of sexual excitement), strong cravings (feasts), contest, all extreme movement, frenzy of cruelty, destruction, frenzy of spring, drugs, frenzy of an [...]

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Artaud #1: Words become power objects

01.22.2003 Antonin Artaud
4 of 9 in Artaud Notes

ANTONIN ARTAUD This is the world in the shape of a butterfly putting the world together. (more poems) Artaud is, in fact, the most published/translated French poet in the 20th century… glos·so·la·li·a n 1. See speaking in tongues 2. nonsensical or invented speech, especially resulting from a trance or schizophrenia Daniel Paul Schreber‘s memoirs… Freud developed [...]

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