Ingmar Bergman, I am calling

Through the Glass Darkly


Cries and Whispers

The Silence

Winter Light

The Serpent’s Egg

Scenes from a Marriage

Hour of the Wolf

Autumn Sonota


When viewing daily rushes, Bergman stresses the importance of being critical but unemotional, claiming that he asks himself not if the work is great or terrible, but if it is sufficient or if it needs to be reshot.

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