4.03.2005

Dialogue Final

She is like plaque, that is what you say to her. Her face is obscured; hair over her eyes and cheeks, her hands. Around the white cuffs she is wearing even in the bed. Her life is a mess and though plaque badly describes it, she understands. You go on.

There are filaments, pieces of her life spinning away and then again, on you. Smaller and smaller things she forgets to do, you say,

and she is not careless towards you and you are not seeing carelessness when she is doing this. It’s the effect that bothers you. You say for instance she is crying. It not an offensive, and thankfully you have little to do with it. She cries for herself. It is tiring to be in the midst.

She takes your hand a little under the white blanket. She is white and tired and tells you to stop coming towards her like that, the way others do. No, you say, no there is nothing for you to run from, only things to explain. Though you do not know who you are explaining to, you tell her.

Her body lies on the blankets, moving a little against her shirt and shoes. You push the hair away and press your palm to her jaw. Her face yields to the side. It is warm. As much pressure as you put into her face, she puts back into your hand. You feel through her cheek the teeth and is she is somehow accepting this. Say nothing again to her. There are reparations she must make, you think, but she is tired, she says. She will sleep if she can and you need to go.

But when trying to think her face rises, holds; she says things she is thinking inside her mouth.

She does this to you, she knows, and pretends to not. It is not a terrible thing to pretend. There is a train nearby and you feel her listening for it. She says it is cruel to say things you know as if you didn't. That loving is saying everything certainly. You bring her to you, watching the surface of what she is saying hold and fall away. She doesn’t know. She has already forgotten what she had to say. Is studying something here, in your face, or perhaps she trying to find something else, or perhaps suffering uninhibited for the first time, for what you are not certain. Perhaps holding to knowledge of forgetting, that is it. Forgetting, that takes hold of everything you said and she said, and she is making saying things impossible.

© Dawn Pendergast