Performance Studies

Fires in the Mirror: Crown Heights Brooklyn and Other Identities

06.26.2002 Performance Studies
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Anna Deavere Smith’s performance of Fires in the Mirror: Crown Heights Brooklyn and Other Identities presents a fragmented portrait of the Brooklyn community shortly after the Crown Heights riots of August 1991. Smith’s acting virtuosity is exhibited through the verbatim reenactments of interviews that she held with different members of the community. The performance was a [...]

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Performance Studies Notes #12: Victor Turner & Richard Schechner

06.26.2002 Performance Studies

Ritual/Liminality Victor Turner: Turner gained notoriety by exploring Arnold van Gennep‘s threefold structure of rites of passage and expanding theories on the liminal phase. “Limin”: the line… Dionysus deals with what it means to cross the ‘line.’ Van Gennep’s structure consisted of a pre-liminal phase (separation), a liminal phase (transition), and a post-liminal phase (reincorporation). Separation Marginalization [...]

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Performance Studies Notes #11: ACT UP/OUT

06.25.2002 Performance Studies

Aestheticizing political issues: does it degrade them? Susan Sontag Illness as Metaphor and AIDS and its Metaphors http://www.susansontag.com/SusanSontag/books/illnessAsMetaphor.shtml She had cancer & wrote about her own experience , drew on moments in history in which certain diseases are metaphors for other things. We must take analysis out of the illness—she wrote AIDS in its Metaphors.. [...]

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Objects/Ethnography

06.25.2002 Performance Studies
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A single stiletto is placed at the front of a classroom. Most of the students are women. Half have probably nursed blisters, turned ankles, fallen down flights of stairs as a result of trying to put this object to use. Everyone in the room imagines the shoe on a different body. One student imagines a [...]

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Gay Pride and the Carnivalesque

06.25.2002 Performance Studies
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My last response paper dealt with the implications of carnivalesque images and ways that those images degrade political efficacy. I argued that minority groups perpetuate their own disempowerment and undermine authentic struggles for political viability when celebrating fantasized empowerment. The carnivalesque images of Marti Gras Indians actually celebrated the impossibility of real political and economic power through [...]

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Always for Pleasure

06.25.2002 Performance Studies
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Feathers, sequins, beads, chants, tambourines, belly laughs, and dancing: The Marti Gras Indians were a bright and lively scene against the backdrop of dirty New Orleans neighborhoods. But watching all the sparkling revelry, playful chaos, and grotesque carnivalesque that Les Blanc captures in Always for Pleasure, I could not shake my feeling s of severe discomfort. [...]

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Performance Studies Notes #9: Marti Gras Indians

06.24.2002 Performance Studies

George Lipsitz // Mardi Gras Indians: Carnival and Counter-Narrative in Black New Orleans Lipsitz refers to many of the ironies of the Marti Gras Indians. Storytelling is the heart of the carnival… they should be questioned and celebrated… Indians talk about literal “in the blood” relationships to African Americans… It juxtaposes African and Native American [...]

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Performance Studies Notes #8: Bakhtin & the Carnivalesque

06.24.2002 Performance Studies

Mikhail Bakhtin (1895-1975)* Notion of Carnival—literary phenomenon that has a relationship to the spectacle, multiplicity of languages. Term came from Mikhail Bakhtin’s Rabelais and his World. Rabelais’ draws its energies from the historic practices of carnival which preceded and surrounded it in Renaissance Europe. Carnival rituals are utopian irruption into the workaday world, a time of [...]

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Performance Studies Notes #7: Public & Street Performance

06.20.2002 Performance Studies

Street Performance post-9/11, the public spaces were used to process trauma. How productive politically and psychologically are these performances for the processing of trauma. Very few street performers are women. Women get heckled and harassed. Vessel, performance group. Use of space: from a scenographic perspective Every space is over-determined space with layers and layers of [...]

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Street Performance

06.20.2002 Performance Studies
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“Street performance is annoying,” my roommate argued, “They guilt you into giving them money.” I could see the analogy he was making between street performance and people that rush up to your windshield and, without asking, scrub it expecting compensation. A large part of street performance revolves around revenue. Sally Harrison-Pepper describes how performers size [...]

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